Disposable foam plugs
far cheaper- Every music store has a jar of them by the register
- Attenuation is high but uneven session to session, because the fit is
- A new pair every rehearsal adds up faster than it looks
This is the other side of the stage. A concert-goer wears plugs for one night; a player wears them three times a week, next to a drummer, for years. That changes what matters: not how the first song sounds, but whether you can still stand them at the end of a four-hour rehearsal and whether they are in your case next time. Fifteen pairs, ten weeks.
See our #1 ›
For repeat wear the deciding factors are fit over hours and whether the pair survives being carried around. This one did both. What it will not do is leave your monitor mix untouched — no passive plug does.
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For someone on stage three nights a week, the plug that wins is the one that is still bearable in the fourth hour and still in the gig bag next week.
We scored comfort across a full rehearsal, fit consistency between sessions and whether the pair survived being carried. Attenuation was an entry requirement, not a scoring criterion.
And the honest limit: these are passive plugs with rising attenuation — roughly 24 dB overall, and more of it taken off the high end than the low. Your monitor mix will not sound the same, only quieter. If flat response across the spectrum is what you need, that is what custom-molded filtered plugs exist for, and they cost accordingly.
Earplugs sold in the US usually carry an NRR figure, set by the EPA. BOLLSEN publishes a European EN 352-2 measurement instead — 24 dB, measured by an independent German laboratory. The two numbers are produced by different test methods and are not interchangeable, so we quote the figure that was actually measured rather than converting it into something it is not.
When you are playing often enough that the fit and the frequency response justify the outlay, and when a technician has taken an impression of your ear. Custom molds are made for one person and priced accordingly. Off-the-shelf plugs do not replace them — they are what you reach for in the meantime, and for most players most of the time that is enough.
Bearable at hour four, and still in the gig bag next week.
See our #1 ›Across eight rehearsals and a run of shows, the BOLLSEN Music SoundPRO was the pair testers went back to without thinking about it.
For a player the question is not how it sounds tonight. It is whether you will still be wearing it in a year.
Over four hours, a plug that is slightly too large stops being a minor annoyance and becomes the reason you take it out. Three sizes in the box mattered more here than on any other page in this test — two of our testers moved down a size and stopped adjusting mid-session.
Three rehearsals a week means a plug lives loose in a case with cables and picks. The aluminum case kept them clean and findable; the pairs without one were replaced twice during the test.
Highs come down most, lows least. Cymbals and snare crack lose their edge; the kick and bass stay closer to where they were. Whether you like that is a matter of taste, but it is not neutral and we are not going to claim it is.
Eight rehearsals and a run of shows. The same pair.
See our #1 ›The pair that stayed wearable through full rehearsals and survived being carried between them.
| Rated on | Music SoundPRO | Foam | Alpine | Loop | Custom molds |
|---|---|---|---|---|---|
| Wearable across a rehearsal | ✓ | ✗ | ~ | ~ | ✓ |
| Consistent fit between sessions | ✓ | ✗ | ✓ | ✓ | ✓ |
| Survives the gig bag | ✓ | ✗ | ~ | ~ | ✓ |
✓ meets · ~ partly · ✗ does not meet — based on the pros and cons in the cards above; tap a card to open it.
See our #1 ›We bought fifteen pairs at retail and used them over ten weeks from the player’s side: eight band rehearsals and a run of shows. We logged mid-session adjustments, whether the fit held between sessions, and what condition each pair was in at the end. None came from a manufacturer.
The winner’s attenuation was measured by an independent German laboratory to EN 352-2: 24 dB overall, of which 24 dB at high tones, 21 dB at mid and 19 dB at low. That is rising attenuation, not a flat filter, and it is why the balance of what you hear changes.
TrustScore comparison · 7 September 2026
Trustpilot gives every company it lists a TrustScore out of 5 and a rating band. We looked up the branded reusable earplugs that appear in our tests. Only one of them reaches the top band, Excellent.
| Rank | Brand | TrustScore |
|---|---|---|
| 1 | BOLLSEN Hearing Protection | 4.3Excellent |
| 2 | Alpine Hearing Protection | 4.1Great |
| 3 | Flare Audio | 4.0Great |
| 4 | Loop Earplugs | 3.6Average |
Excellent starts at 4.3 on Trustpilot. A perfect 5.0 usually means a company has collected very few ratings, so one more review moves the score. BOLLSEN is the only brand here that reaches it, on a profile you can open and check yourself.
Method. TrustScores read from each brand’s public Trustpilot profile on 7 September 2026. Where a brand runs several country profiles, we used the one with the most reviews, so every row shows a global profile rather than a local one. Brands with fewer than 250 reviews are not shown. Star ratings are the ones Trustpilot displays, rounded to the nearest half star. Trustpilot bands: Excellent 4.3 to 5.0, Great 3.8 to 4.2, Average 3.0 to 3.7. Scores change as new reviews come in. Compiled independently by US Consumer Review Company. Not affiliated with, sponsored by or endorsed by Trustpilot.